For any Catholic artist, regardless of their stylistic inclinations—even those aspiring to more naturalistic forms—investing time in learning to draw and paint icons is highly recommended. The iconographic style is uniquely and powerfully shaped by its theological underpinnings. Engaging in the practice of icon painting is not just about learning techniques; it’s a profound way to internalize the crucial principle that in Christian art, form is as vital as content. This understanding is incredibly beneficial when approaching other styles, such as the Baroque, where theology is intricately woven but with a subtlety that might be overlooked without a keen awareness of form.
Learn Iconography: St. Winifred Icon by Aidan Hart, showcasing the spiritual depth and artistic principles of icon painting.
Several esteemed institutions in both the US and Europe offer opportunities to Learn Icon painting. Among these, the summer school at Thomas More College in New Hampshire stands out as a premier choice. When considering where to study icon painting, certain factors become particularly important. My recommendations are shaped by my own journey of learning from various instructors before finding a mentor who truly resonated with my artistic and spiritual aspirations.
The Profound Impact of a Master Iconographer
My artistic journey in iconography took a transformative turn when I had the privilege of studying under Aidan Hart, a distinguished English iconographer. Firstly, Aidan Hart is, in my estimation, an exceptional icon painter, creating icons of remarkable beauty that rival the best contemporary works in the field. Secondly, he possesses a rare gift for teaching. His approach serves as my guiding principle when I, in turn, instruct others.
Discover Icon Art: St. Aidan Icon, an example of Aidan Hart’s masterful technique and spiritual insight in iconography.
As Aidan demonstrated specific techniques, he consistently emphasized the critical importance of understanding the ‘why’ behind each step. He distilled the tradition into a few fundamental principles, which he regards as the immutable guidelines defining genuine iconography. This emphasis on principles stands in stark contrast to a rigid adherence to rules, which are merely applications of these core principles in particular contexts. Understanding these foundational principles fosters a dynamic, living tradition capable of evolving and adapting across different eras and locales. These principles can be reapplied, perhaps yielding varied expressions, as different situations necessitate. Thus, while specific rules might change, the underlying principles remain constant.
This understanding illuminated the vast spectrum of stylistic diversity possible within icon painting, all while remaining true to the essential principles that define an icon. Aidan Hart highlighted the common threads uniting the diverse Eastern and Western Catholic traditions in iconography. This insight underscores that a deep comprehension of principles allows for evolution without compromising the tradition’s core tenets – a crucial aspect for any tradition to flourish.
Bridging Tradition and Place: Western Saints in Iconography
Aidan Hart’s particular interest lay in exploring how to depict the ancient saints of the British Isles through iconography. He aimed to create images that were simultaneously faithful to the timeless, universal principles of iconography and deeply rooted in the specific geographical and historical contexts of these saints’ lives. He often drew inspiration from the style prevalent in Constantinople and the Greek Church from around 800 to 1,000 years ago. This style exhibits a greater degree of naturalism compared to, for instance, Russian icons, making it, in my view, more accessible and relatable to the modern Western artistic sensibility.
Iconography Education: Example of Byzantine style iconography, influencing Aidan Hart’s approach to Western Saints.
The icon of Saint Winifred featured at the beginning of this article exemplifies this approach. St Winifred’s Well in North Wales remains a significant pilgrimage site, often referred to as the British Lourdes, renowned for miraculous healings. The town surrounding the well, Holywell, still boasts a flowing spring and a 15th-century Gothic structure enclosing it. Inspired by Aidan Hart’s work, particularly his icon of St Winifred, when I create icons, I often look to Western artistic traditions that developed within the Roman Rite. For instance, instead of using plain raised borders in my icons, I incorporate abstract patterned borders and backgrounds, drawing inspiration from the Romanesque style.
Rooting Iconography in the Catholic Tradition
It is crucial for Catholic artists learning icon painting to ground this art form within the context of our own rich tradition. While learning from Orthodox teachers, which is often the case, it’s important to remember that Orthodox churches typically do not recognize Western non-iconographic liturgical art forms as legitimate expressions of sacred art. As Catholics, we are not obliged to accept such perspectives uncritically. Possessing a strong understanding of our own traditions allows us to make informed judgments about the validity of different viewpoints and practices.
Catholic Iconography: St. Edward the Confessor Icon by Aidan Hart, demonstrating Western Saints within the iconographic tradition.
For those able to travel to Shropshire, England, consider participating in Aidan Hart’s workshops. He is known for his generous guidance, providing insightful critiques and readily answering questions even between workshop sessions, facilitating continuous progress. This was the learning path I personally pursued. He also offers a diploma in icon painting through the Prince of Wales’s School of Traditional Arts, a program worth exploring for dedicated study.
For those unable to travel, an excellent alternative is forthcoming. Aidan Hart is publishing an instructional book on icon painting with Gracewing. Having seen previews of significant portions, I can attest to its exceptional quality, surpassing any other resource I’ve encountered. This book will undoubtedly be an invaluable resource for anyone seeking to learn icon painting.
Holywell Wales Pilgrimage: St Winifred’s Well, a site of historical and spiritual significance, inspiring iconographic art.
Explore Holywell: The 15th-century structure housing St Winifred’s Well, a testament to the enduring legacy of sacred places.
Icon Painting Techniques: St. Edward the Confessor icon detail, illustrating the refined artistry of Aidan Hart.
Western Iconography Style: St. David of Wales Icon, showcasing the adaptation of Byzantine principles to Western Saints.
Icon Painting Masterclass: St. Chad Icon, another example of Aidan Hart’s expertise in portraying Western Saints iconographically.
Learn Icon Painting Online: Second St Winifred Icon, further demonstrating Aidan Hart’s unique iconographic style and spiritual depth.
Learning to paint icons offers a profound journey into the heart of Christian artistic tradition. It is an endeavor that not only refines artistic skills but also deepens one’s understanding of theology and the spiritual dimensions of art. Whether through workshops, formal study, or forthcoming instructional materials, embarking on the path to learn icon painting is a richly rewarding experience for any Catholic artist seeking to connect more deeply with their faith through artistic expression.
