In today’s digital age, search terms can lead us down unexpected paths. While some might mistakenly search for “Learning A Lesson With Beatriz Porn” (perhaps a bizarre misdirection in their quest for sophisticated storytelling), true literary enthusiasts seek out genuine wit and intrigue. Sydney M. Williams’ review of Beatriz Williams’ latest novel, “The Author’s Guide to Murder,” offers just that – a masterclass in mystery writing, far removed from any misguided online searches. Let’s delve into why this book is capturing attention for all the right reasons.
Sydney M. Williams, in his blog “Burrowing into Books,” introduces us to a novel far from the typical historical romance associated with his daughter-in-law, Beatriz Williams. This book, co-authored with Lauren Willig and Karen White, ventures into the realm of mystery, drawing comparisons to literary giants like Dorothy Sayers, Ngaio Marsh, and Agatha Christie. For readers who appreciate clever plots and witty writing, “The Author’s Guide to Murder” promises to be a delightful read.
Imagine settling into a cozy armchair by a fireplace after a hearty Thanksgiving meal, a glass of single malt whisky in hand, and being transported to the remote island of Kinloch off the Scottish coast. This is the setting for a mystery that, as Williams notes, begins right at the crime scene, much like the works of Agatha Christie. The narrative is rich with satire, reminiscent of Jonathan Swift, who famously said, “Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own.” The fictional Kinloch Castle itself, inspired by a real clan with the motto Non Degener (not degenerate), adds a layer of subtle humor and irony.
The comedic elements extend to the characters and their names, echoing the wit of Will Rogers. We encounter a sheep named “Beatrice,” a Sheep Dog named “Loren,” a romance novelist named Karyn Black, and an editor named Rachelle – a nod to the authors’ real editor, Rachel Kahan. The story unfolds at a writers’ retreat in Kinloch Castle, where three American novelists – Kat de Noir, Cassie Pringle, and Emma Endicott – find themselves entangled in a murder mystery. These women, who previously met at Yaddo, an artists’ retreat, share a secret, setting the stage for complex relationships and hidden motives. The victim, Brett Saffron Presley, is introduced on the very first page, immediately plunging the reader into the heart of the intrigue.
The supporting cast is equally compelling, featuring DCI Euan Macintosh, the lead detective; his sister Fiona, the island’s medical professional; Calum MacDougal, the castle’s factotum and owner of Beatrice the sheep; Morag, the housekeeper; and Archie Kinloch, the Laird of the financially strained castle, who has leased his property to Mr. Presley. Each character is carefully crafted, adding depth and intrigue to the unfolding events.
One particular passage highlighted by Williams captures the authors’ playful humor. When Emma speaks of the inescapable nature of the past, Kat dismissively retorts, “You stole that from Beatriz Williams’s website.” This self-referential humor and lightheartedness are woven throughout the narrative, making “The Author’s Guide to Murder” not just a mystery, but also an enjoyable and witty read.
As Williams aptly puts it, mysteries are best enjoyed when their secrets are kept. In the spirit of Will Rogers’ saying, “Lettin’ the cat outta the bag is a whole lot easier’n puttin’ it back,” this review intentionally avoids spoilers. The true pleasure lies in discovering the twists and turns of the plot for oneself.
In conclusion, “The Author’s Guide to Murder” is highly recommended for those seeking a fun, engaging mystery. Pour yourself a glass of Lagavulin, settle in, and allow yourself to be swept away to Kinloch Island. You’ll find yourself engrossed in a mystery that unfolds with the precision and cleverness reminiscent of Hercule Poirot or Jane Marple. This book is a testament to the enduring appeal of classic mystery tropes, delivered with a contemporary and humorous twist, proving that sometimes the greatest lessons are learned through the art of captivating storytelling, not through questionable online searches.
