Learning to Drive is a nuanced film tailored for a mature audience, which might explain why it often flies under the radar. The story centers on Wendy (Patricia Clarkson), a sharp-witted book critic whose life is upended when her husband leaves her abruptly at the movie’s outset. Stepping into her taxi is Darwan (Ben Kingsley), a Sikh immigrant from India who, beyond driving, also imparts driving lessons. Through what unfolds as a series of gently unfolding events, Wendy becomes Darwan’s student, and an unlikely friendship blossoms.
Patricia Clarkson and Ben Kingsley in Learning to Drive movie
Darwan’s background in India reveals him as a teacher and a man of intellect, a reminder of the enriching encounters one can have with taxi drivers, especially while traveling. On a trip to San Francisco, a conversation with a driver holding a PhD in Social Linguistics lingered well after the ride ended, sparked by a shared passion for the subject. What stood out was the driver’s lack of resentment, simply a genuine joy in discussing his intellectual pursuits. Reflecting on such experiences highlights the often-missed depths in everyday interactions.
Wendy’s Journey to Get Behind the Wheel
Wendy, a quintessential New Yorker, has navigated life without ever needing to drive. However, the need arises when her daughter, Tasha (Grace Gummer), settles on a farm in upstate New York. Her initial attempt at the driving test ends in failure, leading Wendy to abandon the endeavor. A visit from Tasha brings a change of heart. Tasha reveals her plans to leave the farm, influenced by a departing college-aged love interest. While Tasha considers moving back home, Wendy gently insists she see her farming commitment through. This pivotal moment solidifies Wendy’s resolve to learn to drive, driven by her desire to be present and supportive for her daughter.
An Unlikely Friendship Forged on the Road
Wendy reconnects with Darwan, expressing her renewed determination to learn. In this second chapter of driving lessons, a genuine friendship takes root. Darwan, too, is navigating personal challenges. His arranged marriage to Jasleen (Sarita Choudhury) faces cultural and intellectual divides. Darwan, the contemplative intellectual, and Jasleen, with different life experiences, struggle to find common ground. The film subtly suggests a deeper compatibility between Wendy and Darwan, though societal boundaries and Darwan’s commitment preclude any romantic development. Instead, they find solace and understanding in their platonic bond.
Darwan’s Marital Crossroads and Wendy’s Wisdom
Darwan confides in Wendy about the growing distance in his marriage. Wendy, with her insightful nature, poses a hypothetical: would Darwan consider infidelity if Jasleen were to disappoint him deeply? His firm “no” underscores his unwavering moral compass. In this simple exchange, Wendy recognizes his inherent goodness, stating, “You are a good man.”
As Wendy progresses and finally passes her driving test, Darwan accompanies her to purchase a car. At their farewell, Darwan tentatively suggests continuing their connection with dinner or coffee, valuing their newfound friendship. Wendy gently declines, adding a poignant, “The trouble is, you’re a good man.”
Decoding the Subtleties of the Ending of Learning to Drive
Wendy’s final words to Darwan are layered with meaning, requiring careful consideration. Darwan’s invitation is clearly rooted in friendship, not romantic pursuit. Wendy’s rejection isn’t a dismissal of him personally, but a self-aware acknowledgment of her own emotional landscape. Continuing the friendship, she understands, would likely lead her to develop deeper feelings, feelings that Darwan, bound by his principles and marriage, could never reciprocate.
Furthermore, Wendy respects Jasleen, a woman she’s never met, understanding the delicate dynamics of Darwan’s marital commitment. She recognizes that her presence, offering the intellectual companionship Darwan craves, could inadvertently hinder his ability to fully connect with Jasleen on the necessary emotional levels within their marriage.
The film concludes with Wendy driving towards her daughter’s farm, a visual affirmation of her achieved goal. However, this scene feels almost secondary. The true emotional resolution lies with Darwan. The film’s brilliance culminates in its portrayal of Darwan’s quiet transformation.
The Profound “Real” Ending: A Husband’s Quiet Revolution
Jasleen returns home from her errands to find Darwan seated on their bed. A surprised, “Darwan, I didn’t expect you,” escapes her lips. He shifts to make space for her, an unspoken invitation. She sits, uncertainty clouding her expression. Is this the moment of separation? Is he sending her back to India? The tension is palpable. Darwan then speaks, “Jasleen, maybe I will not work at night anymore. Would you like that?” A subtle smile graces Jasleen’s face, a hesitant turn of her head. The smile blossoms, almost a laugh of relief, breaking through months of loneliness. “Yes!” she breathes. Darwan gently cups her face in his hand. She responds, taking his hand in hers. He softly rests his head on her shoulder. In this understated moment, they find a shared happiness, a first in the film’s narrative.
The subsequent scene of Wendy driving upstate serves as a conventional resolution, a narrative formality. Wendy’s journey is about self-empowerment, a familiar cinematic arc. But the film’s lasting impact resides in Darwan’s story, a portrait of a traditional man’s quiet revolution, choosing his wife’s happiness over rigid expectations. It’s a beautiful, resonant ending.
Learning to Drive is more than just a “Learning To Drive Movie”; it’s a poignant exploration of human connection, personal evolution, and the subtle beauty of everyday sacrifices. Seek out this film – it’s a rewarding cinematic journey.
